Chng Chin Kang trained at the Nanyang Academy of Fine Arts and later pursued a master’s degree in art and education in England, which proved to be a formative period that both liberated and formalised the way he works with different mediums. His fascination with figurative paintings, sociology and prior exposure to Pre-Raphaelites has also largely influenced his artistic practice till today.
Despite enjoying sports in his teenage years having likened it to its physical aesthetic, The Perfect Man expresses Chng’s lifelong endeavour to be a person of totality which was uncovered during his time away from home. The relatable forms and objects remind us of his belief that a person of totality approaches life holistically. His selective use of colours seeks to evoke a sense of quiet optimism and offer a glimmer of hope amid the weight of everyday obligations.
