This publication features printmaking works by 9 NAFA staff, alumni and students, produced from various printmaking techniques including linocut, monoprint, emboss, woodcut, silkscreen and lithograph. They demonstrate how printmaking has evolved from traditional two-dimensional forms into three-dimensional representations of conceptual storytelling.
An essay by Dr Bridget Tracy Tan, Director, Institute of Southeast Asian Arts and Art Galleries, NAFA, explores the process of contemporary printmakers, their techniques, forms and interactions with the world through this medium.
